Mihály Munkácsy’s Blind Milton Dictating Paradise Lost to His Daughters: Contemporary Views
DOI:
https://doi.org/10.33077/uw.25448730.zbkh.2023.823Abstrakt
At the pick of his career, Mihály Munkácsy (1844–1900) was seen in the first rank of living artists. Many of his works were acquired by American collectors, including Blind Milton Dictating “Paradise Lost” to His Daughters. This large work had been displayed in many European cities before it arrived in New York City to be permanently displayed at the Lenox Library, the predecessor of the New York Public Library. The article discusses the marketing and the reception of the painting in the late 19th century.
Bibliografia
• Art at the Exposition. A Splendid Display of German and Austrian Art, “Daily Arkansas Gazette”, 6 June 1878, [online] Chronicling America: https://chroniclingamerica.loc.gov/; ProQuest Historical Newspapers and Nineteenth Century U.S. Newspapers, both available at The New York Public Library [accessed 12.11.2022].
• Artists and Their Works: Pictures at Goupil’s Gallery, “The New York Times” 10 October 1879, p. 5.
• Child T., Art and Criticism: Monographs and Studies, New York 1892.
• Clarence Cook Dead, “The New York Times” 3 June 1900, p. 1.
• Contributions to a Catalogue of the Lenox Library. No. 6: Works of Milton, etc., New York 1881.
• Cook C., Art and Artists of Our Time. Vol. 2, New York 1888.
• Davison A., Painting for a Requiem: Mihály Munkácsy’s ‘The Last Moments of Mozart’ (1885), “Early Music” 2011, vol. 39, no. 1, pp. 79–92.
• Early J., Van Rensselaer, Mariana Alley Griswold, [in:] Notable American Women, 1607–1950. Vol. 3, eds. E.T. James, J. Wilson James, P.S. Boyer, Cambridge, Massachusets 1971, pp. 511–513.
• Fine Arts: Munkacsy’s ‘Blind Milton Dictating Paradise Lost to his Daughters’ at the Lenox Library-Second Article, “The New York Herald” 4 November 1879, p. 6.
• Flannagan R., John Milton: A Short Introduction, Oxford-Malden, Massachusetts 2002.
• Foreign Notes, “Detroit Free Press” 1 March 1879, p. 6.
• Foreign Notes, “The New York Times” 17 March 1879, p. 3.
• GAR, Art in Hungary and Spain, “The New York Times” 28 July 1878, p. 5.
• Gula M., Reading the Book of Himself: James Joyce on Mihály Munkácsy’s Painting ‘Ecce Homo’, “European Joyce Studies” 2013, vol. 22, pp. 47–60.
• Hamerton P.G., Man in Art: Studies in Religious and Historical Art, Portrait and Genre, London-New York 1892.
• Hamerton’s Continental Painting at Paris in 1878, “Princeton Review” January-June 1879, vol. 1, p. 492.
• Huemer C., Charles Sedelmeyer’s Theatricality: Art and Speculation in Late 19th-Century Paris, [in:] Artwork through the Market, The Past and Present, ed. J. Bakoš, Bratislava 2004, pp. 109–124.
• Humer C., Globetrotting Wall Paintings: Munkácsy, Sedelmeyer, and Vienna’s Künstlerhaus, “Fine Art Connoisseur” September/October 2012, pp. 50–54.
• Kirk N.C., Wanamaker’s Temple: The Business of Religion in an Iconic Department Store, New York 2018.
• “Le Figaro” 15 May 1878.
• Lenox Library: A Guide to the Paintings and Sculptures Exhibited to the Public, New York 1879; 1882.
• Locke C., Mihály Munkácy: The Painting Prince, “American Arts Quarterly” 2016, vol. 36, no. 1, [online] http://www.nccsc.net/aaq/2016/winter [accessed 01.01.2023].
• Lukacs J., Budapest 1900: A Historical Portrait of a City & Its Culture, New York 1988.
• Lukacs J., Budapest 1900: Colors, Words, Sounds, “The American Scholar” 1988, vol. 57, no. 2, pp. 253–261.
• M. A. P., Munkacsy’s Madness, “Brooklyn Eagle”, 7 May 1899, p. 16.
• May G., Die Bürde der Berühmtheit tragen wir beide. Liszt bei Munkacsy in Luxemburg, [in:] Munkácsy et le Grand-Duché de Luxembourg: exposition du 20 septembre au 17 novembre 1996, Luxembourg 1996, pp. 71–120.
• Michael Munkácsy, “Harper’s Weekly” 24 January 1880, p. 57.
• Miller Lydenberg H., A History of the New York Public Library, New York 1923.
• Morowitz, L., A Passion for Business: Wanamaker’s, Munkácsy, and the Depiction of Christ, “Art Bulletin” 2009, vol. 91, no. 2, pp. 184–206.
• Mrs. Arthur Bell (N. D’Anvers), Representative Painters of the XIXth Century, London-New York 1899.
• Munkácsy a nagyvilágban. Munkácsy Mihály művei külföldi és magyar magán- és közgyűjteményekben / Munkácsy in the World. Mihály Munkácsy’s Works in Private and Public Collections at Home and Abroad, ed. F. Gosztonyi, Budapest 2005.
• Munkácsy’s Milton. The Painting Now Displayed in the Gallery at the Lenox Library, “The New York Times” 7 November 1879, p. 4.
• Opinions of the Continental Press on Michael Munkácsy and his Latest Picture Milton Dictating “Paradise Lost to his Daughters”, Paris 1879.
• Penot A., The Perils and Perks of Trading Art Overseas: Goupil’s New York Branch, “Nineteenth-Century Art Worldwide” 2017, vol. 16, no. 1, [online] http:/www.19thc-artworldwide.org/spring17/penot-on-the-perils-and-perks-of-trading-art-overseas-goupils-new-york-branch [accessed 16.10. 2019].
• Pesce D., Liszt’s Final Decade, Rochester, New York 2014.
• Polenyák I., The Role of Vienna in the Life of Mihály Munkácsy, the First World Famous Hungarian Painter, “International Journal of Social Sciences and Humanity Studies” 2012, vol. 4, no. 1, pp. 205–214.
• Reed H.H., The New York Public Library: Its Architecture and Decoration, New York 1986.
• “San Francisco Call” 18 November 1892.
• Schwain K., Consuming Christ: Henry Ossawa Tanner’s Biblical Paintings and Nineteenth-Century American Commerce, [in:] ReVisioning: Critical Methods of Seeing Christianity in the History of Art, eds. J. Romaine, L. Stratford, Eugene, Oregon 2013, pp. 277–293.
• Story W.W., Fine Arts, [in:] Reports of the United States Commissioners to the Paris Universal Exposition, 1878. Vol. 2, Washington 1880, pp. 1–180.
• Strahan E., Art Collection of the Lenox Library, “The Art Amateur” 1879, vol. 2, no. 1, p. 8.
• Tait R., An Hungarian Artist, “Lippincott’s Magazine of Popular Literature and Science” 1879, no. 23, pp. 175–185.
• Tenth Annual Report for the Year 1879 of the Trustees of the Lenox Library of the City of New York, Albany 1880.
• “The Daily Post”, Pittsburgh, Pennsylvania, 7 February 1879.
• The Death of Franz Liszt Based on the Unpublished Diary of His Pupil Lina Schmalhausen, ed. A. Walker, Ithaca, New York 2002.
• The Life of John Milton: Narrated in Connexion with the Political, Ecclesiastical, and Literary History of His Time. 7 vols., Cambridge-London 1859–1894.
• “The New York Times” 25 November 1879; 23 December 1879.
• Van Rensselaer M.G., Munkacsy’s Picture of Milton, “The American Architect and Building News” 1879, vol. 6, no. 208, p. 195.
• Végvári L., Katalog der Gemälde und Zeichnungen Mihály Munkácsys, Budapest 1959.
• Webster S. [et al.], A Digital Recreation of the Lenox Library Picture Gallery: A Contribution to the Early History of Public Art Museums in the United States, “Nineteenth-Century Art Worldwide” 2018, vol. 17, [online] https://doi.org/10.29411/ncaw.2018.17.2.22 [accessed 16.10.2019].
Pobrania
Opublikowane
Numer
Dział
Licencja
Prawa autorskie (c) 2024 - w pełni pozostają przy autorze.
Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa – Użycie niekomercyjne 4.0 Międzynarodowe.
